Fotolibros – Photobooks: Julián Barón

“Un fotolibro es un objeto de comunicación autónomo.Debe incluir un trabajo extraordinario que sea capaz de sorprendernos, además de un diseño y producción que conecten el mensaje y nos haga aprender algo nuevo,  con la intención de que el espectador experimente un cambio con el conjunto.

“Algunos de mis fotolibros favoritos son: Southwest de Paul Strand, Exils de Josef Koudelka, The lines of my hand  de Robert Frank,  Case History de Boris Mikhailov,  The solitude of Ravens de Fukase,  A shimmer of possibility de Paul Graham,  Autobiography de Cristobal Hara,  Berlin in the time of the wall de John Gossage, Redheaded Peckerwood de Christian Patterson y uno que me tiene maravillado de Pablo Ortiz Monasterio, Testigos y cómplices”.

 

“A photobook is an object of autonomous communication. It should contain an extraordinary work, capable of surprising us, with a design and production that connect the message and make us learn something new, so that the viewer undergoes a change as a result of the whole.”

“Some of my favorite photobooks are: Southwest, by Paul Strand, Exiles, by Josef Koudelka, The Lines of My Hand, by Robert Frank, Case History, by Boris Mikhailov, The Solitude of Ravens, by Fukase, A Shimmer of Possibility, by Paul Graham, Autobiography, by Cristobal Hara, Berlin in the Time of the Wall, by John Gossage, Redheaded Peckerwood, by Christian Patterson, and a marvelous photobook by Pablo Ortiz Monasterio, Testigos y cómplices.”